絵画・洋画/日本画/現代美術/版画/風景画 |
-風景画の販売作品を探しています。- |
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Now then, in Spain until not very long ago there were two cultural centres, Madrid and Barcelona, where most of what could be considered relevant on the art scene was happening. With time, thanks to the profusion of museums and art spaces located in other cities, becoming increasingly important regional substations, a dynamic was generated that has made it necessary to develop a critical discourse which, if not of each place, is appropriate to these new situations. And what has become obvious in this whole process is precisely the enormous diversity of criteria and, therefore, the inoperativity of any general doctrine presumably valid for addressing specific artistic realities. Since remote antiquity, the mask, attached to the face, as a mysterious second skin, continues to create the illusion of reality, feeding upon it and showing it diverse forms. He is very personal in his use of cubism, in his planes and technique. In the portrait, the gesture predominates over the face of the character portrayed. Shoda paints the gesture sometimes with dramatic intentionaly, like Hokusai. At the age of sixty, Shoda has already the mastery of an authentic creator, with an open mind to the world and yet with the same passion of the masters of long ago. Now, the world needs to feel his pure expression of the humanbeings in the days of we are not knowing the way out from. |
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| 洋画/日本画/現代美術/版画/風景画 |